Tina

Tina is a supporting character in the cast, and her result belongs to the reader who treats adventure as something bodies have to survive. The swords, spells, dragons, and jokes still matter, but you notice the frightened mule, the child hiding behind you, and the injured person trying not to be seen. Your first victory is keeping damage from spreading.

You count the living things before you count the victory. If the mule bolts, the child steals, or fighters stagger from a bracket full of monsters, you move toward the trembling part of the scene. You distribute herbs, settle breath, make space, and turn a heroic stampede into a line that can actually survive the next minute without trampling itself. Tina fits because your answers favour practical mercy in a world that keeps trying to make power the only measurement. The warning is that care can become triage without end. You may absorb every flinch and grievance until your own needs look embarrassingly small, and some people will exploit your refusal to let them fall, apologise, or carry their own weight.

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