Which Futurama Character Are You?
This Futurama personality quiz measures how you act when a science-fiction errand turns into a social, mechanical, or diplomatic problem. Choose the thing you would actually do, and the scoring will place you with the cast member whose habits your answers keep returning to.

About Futurama
Futurama is a running animated series on Hulu, with 164 episodes listed and a shape built from comedy, adventure, and science-fiction. Its ensemble includes Fry, Bender, Leela, Professor Farnsworth, Zoidberg, Hermes Conrad, Amy Wong-Kroker, and Scruffy. For a newcomer, the appeal is the collision between speculative trouble and ordinary bad judgment: dangerous machines, strange errands, and people bringing very human habits into futuristic inconvenience.
How this quiz works
Answer 10 questions. There are no right or wrong answers — each choice adds points, and the result you get is the one your answers point to most.
10 questions · 8 possible results · about 3 minutes
Start the quizOne question at a time. Nothing is saved, and you can start over whenever you like.
Meet the characters from Futurama
Every result below is a real ending of this quiz — read them before or after you play.

Fry
Fry is one of Futurama's main characters, voiced by Billy West, and he sits near the center of its comedy, adventure, and science-fiction trouble. In this result, he behaves like the person who reaches the switch before the lecture finishes: generous with effort, light on preparation, and oddly useful once the sensible route has already failed.
You move through crises by doing something visible before fear has time to become policy. If a hatch sticks, you lean on it; if a stranger needs help, you offer both hands; if the plan requires expertise, you volunteer to fetch it and probably bring back a snack. Your courage is unpolished, but it gets other people moving when everyone else is still rehearsing objections. Fry fits because your first instinct is involvement, not distance. The catch is that momentum can masquerade as judgment. You may confuse sincerity with readiness, leaving calmer people to translate your good intentions into a plan that will not dent the ship, offend the planet, or require medical punctuation. When you slow down enough to ask one competent question, your luck starts looking less accidental.

Bender
Bender is a main Futurama character voiced by John DiMaggio, and this result treats him as the person who hears a rule and immediately tests its resale value. He behaves by probing weak points, claiming the best angle for himself, and making panic look like a negotiation.
The useful part is speed; the expensive part is cleanup. You do not wait for permission to discover where the advantage is hiding. In a station lock, a cargo hold, or a negotiation with a species that has too many ceremonial pauses, you test the seam and see what comes loose. You can make dead air productive, especially when everyone else is staring at the rule as if it will become kinder. This points to Bender because you treat chaos as a market with poor security. The cost is that other people may experience your improvisation as theft, sabotage, or a very small hostage situation. When you keep every benefit for yourself, allies start building plans that assume you are the problem. Spend some of that nerve on loyalty, or you will win the crate and lose the crew.

Leela
Leela is a main Futurama character voiced by Katey Sagal, and this result places her at the point where decisions stop being theoretical. She behaves by taking the route, reading the danger, and making the nearest reckless person useful.
In an ensemble built for comic science-fiction trouble, she is the answer that arrives with a course correction and no patience for decorative panic. You move first, but not blindly. When the landing corridor narrows or the broadcast becomes absurd, you choose the task that keeps bodies, cargo, and reputation in roughly the same piece of space. You can listen while acting, which is rarer than it should be. People may grumble at your instructions; they still follow them when metal begins to complain. Leela is the match when your competence is practical rather than ornamental. The risk is that carrying the sensible plan too often can make you treat every companion as a malfunctioning instrument. You may stop asking for help until help has to force its way in. Command is useful, but permanent vigilance is a poor substitute for trust, rest, and the occasional admission that someone else saw the hazard first.

Professor Farnsworth
Professor Farnsworth is a main Futurama character voiced by Billy West, and this result follows the mind that sees a crisis as an underfunded demonstration. He behaves by asking what the device does, what it might do if badly handled, and whether a worse version would prove a point.
Curiosity is his engine; collateral inconvenience is usually the exhaust. You meet danger by turning it into a question with tools around it. If a glowing button appears, you want containment, measurements, and perhaps one controlled press by someone standing farther away. You are useful when panic needs vocabulary. You can make a broken machine legible, and you can make a strange planet feel temporarily like a laboratory with poor safety rails. Professor Farnsworth suits answers that trust inquiry more than reassurance. The drawback is that fascination can eat the human part of the emergency. While you are naming variables, someone may still be trapped under the variable. You also risk treating consent as a delay imposed by less imaginative minds. Keep the experiment, but remember that the crew are not spare components with opinions attached.

Zoidberg
Zoidberg is a main Futurama character voiced by Billy West, and this result places him among the helpers who arrive from the edge of the room rather than the command chair. He behaves by offering care, odd solutions, and a willingness to be useful even when no one has phrased the invitation elegantly.
His presence turns neglect into a kind of stubborn participation. You notice who has been forgotten while the louder plan is busy admiring itself. In a clinic, a galley, or the aftermath of a landing that educated everyone through bruises, you move toward the injured, the confused, and the person holding the wrong end of the tool. You may not bring polish, but you bring attention where attention has become unfashionable. Zoidberg matches because your loyalty survives awkward conditions. The hard part is that offering yourself too cheaply can train others to treat you as disposable. You may laugh off neglect, accept bad terms, or volunteer for messes that belong to people with more authority and fewer excuses. Kindness needs a spine, otherwise it becomes a convenient bucket for everyone else's spill. Set a price, even if it is only respect.

Hermes Conrad
Hermes Conrad is a main Futurama character voiced by Phil LaMarr, and this result treats him as the person who turns a ridiculous mission into a sequence that can be survived. He behaves by counting crates, naming responsibilities, and insisting that even a collapsing plan should leave a trail.
His order is not glamorous; glamour rarely knows where the fuel went. You respond to uncertainty by building a frame around it. Before the alien union, the customs lock, or the angry floating authority can become a stampede, you separate tasks, assign words, and make sure someone knows which crate matters. You have a gift for making consequences visible. People may mock the checklist until the checklist is the only reason anyone can leave. Hermes Conrad suits your answers because you understand that chaos often wins through missing details. The hazard is that procedure can become a fortress where judgment should be. If you start valuing the documented version of events over the living people inside them, your competence turns brittle. A clean record is useful; it is not the same as mercy, courage, or the quickest way out.

Amy Wong-Kroker
Amy Wong-Kroker is a supporting Futurama character voiced by Lauren Tom, and this result gives her the role of the capable experimenter who learns with her hands in the machinery. She behaves by climbing into the problem, trying the lever, reading the reaction, and staying socially nimble enough to make the attempt look less alarming than it is.
You enter trouble through the practical opening. If the engine coughs, you ask for tools; if the hand signals make no sense, you learn enough to move the loader; if a device hums, you want to know what the hum is doing. You are comfortable looking unfinished while you learn, which lets you improve in rooms where other people are protecting their image. Amy Wong-Kroker fits because your confidence is kinetic. The weakness is that trial-and-error still contains the word error, usually for a reason. You can mistake motion for mastery and charm for clearance, pushing a situation one notch past recoverable because stopping would feel like losing face. Keep the appetite for experience, but let caution be a tool rather than an insult.

Scruffy
Scruffy is a supporting Futurama character voiced by David Herman, and this result assigns him to the quiet layer of survival that flashier people remember only after it fails. He behaves by maintaining, watching, cleaning, and waiting near the valve that no one else respected.
His competence is low to the ground, which is where many disasters eventually arrive. You do not need to own the mission to keep it alive. While arguments bloom on the channel and someone discovers a button with ambitions, you patch the leak, clear the floor, find the bucket, and note which sound means the engine is about to develop opinions. Your work is often noticed late. That does not make it optional. Scruffy fits because you respect the dull task that prevents the spectacular obituary. The downside is that staying too far in the background can become its own evasion. If you never state what you know, louder fools will spend your competence without consulting you. Quiet endurance is useful, but silence can also be permission for the same avoidable mess to happen again tomorrow morning.
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